March 23, 2011

Roaming, Palermo

Significati possibili
Ermanno Cristini, Silvia Giambrone, Mickael Marchand, Concetta Modica, Giancarlo Norese e Luca Scarabelli

r-roaming a cura dei corsi di Sistemi editoriali per l’arte / Metodologia progettuale della comunicazione visiva, Accademia Carrara di Belle Arti, Bergamo

fotografia: Alessandro Di Giugno
web: simply.it
A cura di Alessandro Castiglioni, Helga Marsala

Riso, Museo d’Arte Contemporanea della Sicilia
PPS/Meetings
c.so Vittorio Emanuele 365, Palermo
Giovedì 31 marzo 2011, ore 19

Roaming, come in una costante risignificazione di piani e sistemi linguisitici è invitato a partecipare a “PPS//Meetings”, ciclo di mostre ed eventi curato da Helga Marsala all’interno della Project Room di Palazzo Riso, in occasione della collettiva “PPS, Paesaggio e Popolo della Sicilia”, a cura di Giovanni Iovane.
Questo particolare appuntamento del progetto Roaming si rivolge ad una specifica dimensione, proposta da Helga Marsala, di rilettura e ricostruzione dei passaggi di senso e significato che si avvicendano tra artista e opera - opera e pubblico. Come in un costante flusso fuori controllo, questo sistema di relazione porta con sé il prezioso rischio dell’errore, dell’incomunicabilità, della misinterpretazione, del vuoto di senso.
Questa dinamica mi sembra trovi un significativo punto di partenza nella terza delle celebri Lezioni Americane di Italo Calvino, quella dedicata all’Esattezza, dove leggiamo:

“Viviamo sotto una pioggia ininterrotta di immagini; i più potenti media non fanno che trasformare il mondo in immagini che in gran parte sono prive della necessità interna che dovrebbe caratterizzare ogni immagine, come forma e come significato, come forza di imporsi all’attenzione, come ricchezza di significati possibili.
Gran parte di questa nuvola di immagini si dissolve immediatamente come i sogni che non lasciano tracce nella memoria; ma non si dissolve una sensazione d’estraneità e disagio”.

È per questo motivo che questa particolare edizione del progetto verrà sviluppata in relazione al corso di Sistemi Editoriali per l’Arte dell’Accademia Carrara di Bergamo: insieme agli studenti che prenderanno parte all’evento, si costruirà in un secondo momento un seminario in cui, discutendo di questi presupposti teorici, si realizzerà un r-roaming, un catalogo/non catalogo della mostra, amplificando la dimensione di “significati possibili” che il rapporto tra immagine e documentazione porta con sé.

Alessandro Castiglioni

www.roaming-art.it
www.palazzoriso.it

March 21, 2011

Archiviazioni

Archiviazioni. 
Exercises of investigation and discussion on contemporary South

March 26th, 2011 - laboratory for Art and Architecture
via Enzo Ferrari, contrada Pisello, Lecce, IT


Actions:
Costruire Processi: progettualità, spazio e tempo / Building Processes: planning, space and time
public discussion, 11am–1pm and 3pm-5pm
with Julia Draganovic / Francesco Arena / Fabio Pollice and Annalisa Zacheo / Karen Hough / Devrim Kadirbeyoglu / Federica La Paglia / Attila Bruni / Shawn Van Sluys / Stefano Taccone / Chiara Agnello / Giulia Pedace / Mauro Marino / Francesca Boenzi

Gran Turismo / Great Tourism
curatorial revisitation of a private archive by Luigi Presicce and Luigi Negro / 18.00

Le Cose Preziose / The Precious Things
self-financing group action / 6.30pm
works of: Luigi Presicce, Francesco Arena, Luigi Negro, Luca Francesconi, Enzo Umbaca, Cristian Chironi, Stefano Romano, Paola Anziché, Daniele Pezzi, Andrea Kvas, Antonio Rovaldi, Angelo Bianco, Roberto Martino, Marco Belfiore, Adriano Nasuti Wood, Elenia De Pedro, Giorgio Guidi, Dragana Sapanjos, Stefano Graziani, Giallo Concialdi, Andrea Sala, Riccardo Beretta, Alessandro Ceresoli, Jacopo Casadei, Cesare Pietroiusti, Sergio Breviario, Alessandro Vizzini, Riccardo Baruzzi, Giancarlo Norese.

An autonomous society is different than a heteronomous one (hetero = others) because while all societies make their own imaginaries (institutions, laws, traditions, beliefs and behaviors), autonomous societies are those in which their members are aware of this fact, and explicitly self-institute (αυτο-νομούνται). In contrast, the members of heteronomous societies attribute their imaginaries to some extra-social authority (i.e. God, ancestors, historical necessity). Cornelious Castoriadis, Figures of the Thinkable, Stanford University Press, July 18, 2007

On the occasion of its public presentation, archiviazioni has invited Stefanos Tsivopoulos to elaborate an archive image which represents the main concept and the aims of the project. I Want My Utopia Back is a reflection on the concept of Autonomy in relation to that of Archiving as an action. This transformative process that goes from information to knowledge, from institutional construction to social action and the formation of an autonomous consciousness, was also the basis of democracy in ancient Greece. For Tsivopoulos, archives do not necessarily server as ‘representatives’ of the historical truth, but rather as another way to tell a story. This story aims to reflect the creative and imaginary possibilities of our times. Stefanos Tsivopoulos (Prague, 1973) is a Greek artist/filmmaker who lives and works in Athens and Amsterdam. His research reflects on history and historical memory as a narrative construction – a construction mediated by images that have been edited and re-edited, and deprived from images that were never taken or that are lost. In his films he is blurring fact and fiction, past and future, as he is less interested in extracting the truth from these narrative constructions, but rather in interrogating the possibilities and qualities that lie within them. It is the ambiguous nature of image, and its shift from an aesthetic object, to commodity to archived evidence of historical truth that is on question in his work.

archiviazioni – exercises of investigation and discussion on the contemporary South is an open project of documentation, discussion and action conceived and directed by Giusy Checola and curated together with Luigi Presicce, developed in collaboation with Salvatore Baldi for the production, Anna Cirignola and Elvira De Masi for the relations of the territory. It’s included in the program Lab 12:00 promoted by the SoutHeritage Foundation for contemporary art of Matera (Basilicata, Italy). It presents its activities and its spaces on the 26th March 2011 at its venue, the Laboratory of Art and Architecture of Lecce (Apulia, Italy), an ex tobacco factory based in the heart of Salento.


Archivica

Archivica is an archive in progress that selects and presents national and international art and interdisciplinary publications and reviews, the digital and audiovisual documentation of works and projects by artists, curators and theoricians from local, national and international fields, and in the so called ‘Souths’ of the world. With them Archivica establishes different kind of interactions and collaborations, through the collection of materials, the organizations and co-production of projects, the acquisition of meaningfull Funds for the relation between art and territory.

Archivica has acquired the personal archives of art critic Anna Cirignola, the Fondo Verri Liberi Cantieri of Lecce and the archives of Oreste by Cesare Pietroiusti, Luigi Negro, Emilio Fantin and Giancarlo Norese, including photos, letters, drawings, publications and printed matters produced during the activities of the Oreste Project, from 1997 to 2002.
Archivica has started a long term collaboration with careof/DOCVA Documentation Center for the Visual Arts in Milan, through the exchange of materials, for the promotion of the Southern artistic scene and the collection of untraceable videodocumentation of talks, seminars and projects realized in Italy and abroad by careof in the last twenty years, and through the development of projects of communication and presentation of the materials archived.
It has started various collaborations with projects, archives and art organizations like Expòsito, Observatory for Young Artists, Naples; Index, list of contemporary art in Basilicata promoted by the SoutHeritage Foundation, Matera; Connecting Cultures, Milan, specialized on art projects in the public spaces in relation with the landscape; ESCORIA Nuevos Medios of Quito, the most important archives in Ecuador, specialized in video-art and new media.

Archiviazioni is addressed to artists, curators, cultural operators and students who live and work in Southern Italy, and to everyone who wants to participate to the proposed activities. From here comes the collaboration with SUM Project of Lecce, a network for promotion of independent local music and local reference for the Creative Commons licenses, under which are registered the contents of the website archiviazioni.org, in order to stimulate the access to information and the free circulation of ideas.


info: www.archiviazioni.org / giusy AT archiviazioni DOT org

March 13, 2011

Thank you failure

Date: March 9. 2011 (Wednesday)
Venue: A Space - Asia Art Archive, Room 1001, 10/F Hollywood Centre, 233 Hollywood Road, Sheung Wan, Hong Kong

Thanks to everyone to join us to Thank You Art Day 11'
We are very greatly pleased to invite you here and share a brief information of the programme. Wish you enjoy our "A virtual live windows" in between here and there, on and off-line and you and us. We have on-offline sites in/out of Hong Kong (A Space @Asia Art Archive / www.aaa.org.hk), contributors and other guests could fine us through live streaming on-line and on-site. This is an upgrade version of "A surprised live chat section" from last year's programme.

This year's main topic and keywords of programme are:
"Be Linked/ Collective Synergy" "Positive Collectivism" "Failure"
This is going to be a stage to share various ideas and its phenomenon of collectivism nowadays. Over 15 young artists and talented cultural workers are invited to stand for telling you a story of pure facts what we are facing now, as well as exchanging such interesting cases of how "collaboration"/ "un-expected combination" could bring impressive impacts.
You will find more friendly gestures and a naked practice by art+cultural workers today.

Please find more information and some of past programs at wiki:
thankyouartday.wikispaces.com/2011
twitter.com/thankyouartday (Follow us)
RSVP at me

Time table:
3pm: A Space Open (8am in Europe)
3pm: Soft March - Opening manifesto "Art allows me the freedom to choose poverty" by young art laborers with Sylbee Kim
4pm: Thank You Art Day - "A virtual live windows" starts (9am in Europe)
4pm: Susanna Chung of Asia Art Archive - "OPEN EDIT: Mobile Library" with "A live exhibition tour" by Duc & Lena at San Art in Vietnam
4:30pm: Kenta Torimoto X Chen Hangfeng with Piano Performer Hajime - "Snow" from Hokkaido!
4:45pm: Saubin Yap - "Hello" from KL
5pm: Ise parkingproject - "Hello" from Singapore Biennale (10am in Europe)
5:15pm: Alterazioni Video - "Collective Annual Meeting"
5:30pm: -Coffee break- RECESS X Nicola Turrini X Nina Fiocco X Jaša X Giancarlo Norese
6pm: Adrian Wong X Ezra Emerson - "Jerk Meeting" performance (11am in Europe)
6:15pm: Nicolas Pelzer - "Sketch"
6:30pm: Magdalen Wong - "Hello" from Goyang International Artist Residency in Korea
6:45pm: Yuk King Tan - "Farewell" performance
7pm: Isabella Ng X Mark Beasley - "I told you we can hear the ocean" (noon in Europe)
7:15pm: Giles Thackway X BABABA International - "gPhone Walki Talki"
7:30pm: -Beer hours- Kuo-Wei Lin X Global Alien - "ALIENATION"
8pm: Sadam Fujioka - "Code Poetica" Closing performance

On-site installation:
"SO DO WE collective" offline station
"Art allows me the freedom to choose poverty" by Sylbee Kim
"0 Budget in Object" by What If Artist Group

About "Thank You Art Day" (39art): Thank You Art Day' - The Day of 39@rt is a holiday to appreciate, promote, and otherwise positively engage ourselves in contemporary art. It was established by Japanese artist Yoshiaki Kaihatsu in 2000 to foster the appreciation of contemporary art in Japan, and it became world-wide event now. Last year, 16 museums and 141 art galleries/spaces, as well as individual artists and Internet-based entities in The world , offer special tie-in programs on March 9. (www.39art.com)

P.S In Japanese, 3/9 (san-kyuu) sounds how Japanese people pronouce "Thank You" because there are no "th" sound in Japanese language. That's how "Thank You Art Day" is started!

Contact:
Nana Seo, Curator
nanaseo at gmail dot com
www.nanaseo.com